Ordinarily, Dharma Shaasta is revealed using two consorts, namely Poorna and Pushkala. These titles translate to”Completeness” and”Prosperity”, and therefore are allusions to the 2 avenues – Jnaana and Bhakti, where one reaches the Complete as Self-Realization.
Instead of the two consorts, these represent both parts of the Lord itself, at the pure Yogic position and shape one sees Sabarimala.
The Lord is observed in a distinctive Yogic position, occasionally also observed in Lord Narasimha, Dakshinamurthi or even Aanjaneya. The Lord is seated erect, together with His legs flexed and ankles touching the Mooladhara or root Chakra. The erectness of this stance empowers free flow of Kundalini Shakti or the Life force throughout both Chakras. It’s humanly tough to keep this type of posture for extended length, and also to avoid the legs from straying away, the Lord has a ring (Yoga Pattai) tying his thighs with the spine.
Therefore, Chin-Mudra, or even the gesture of focus, comprehension and truth is the ultimate and true teaching of Self-Realization. One sees this specific same Mudra in the kind of Dakshinamurthi. Therefore, the ideal half Dharma Shaasta highlights the instructor or Shaasta Aspect, and it is just Poorna Devi – completeness of knowledge, wisdom and comprehension of reality.
In most seated types of Ayyappan, an individual will certainly observe the left leg raised up, no matter whether the ideal leg is raised up (like in Yoga Asana type in Sabarimala) or pops down (like in Veera Asana types in different temples). Thus, based upon the elevation of the statue, once the devotee stands or sits ahead of the Lord, then he’ll discover the Lord’s increased feet in the level of their center. This, and also the Lord pointing to his toes, is His concept to put His feet securely in the center (Hrudkamalam).
Possessing the Lord’s toes in the center and always considering on Him is the farming of Bhakti or Divine Love, and it is also the simplest way to nurture Sattva Guna, excellent behavior and Dharma, and finally hit the Lord.
Thus, both consorts, or instead both parts of the Lord signify the idea of Dharma-Shaasta using predominance of Narayana and Shankara attributes respectively.